萩庭桂太理想的手链“阿德里亚”

萩庭桂太想的是绝对的安心感。

“现有的手链不挂在相机上，所以单看设计和材料都很酷，但一旦挂在相机机身上，大部分长度太长，机身和手掌的距离太远，最终导致机身和手掌之间的距离过远。 在手腕上变得松弛，合身感完全没有，如果不小心从手腕脱落的东西都有。”

“有没有安装在相机机身上才能完成背带功能和设计的东西？ 试错的时候，单纯地制作圆环，用眼罩固定在身体上就能完成那个功能的设计，虽然非常简单，但我认为是这样的设计。”

“背带上开的2个孔的穿法可以顺畅地移动，一定程度的摩擦阻力使移动变得困难，不稳定地保持固定位置，另外，在眼孔上的固定方法的上下表里从手腕到手背的背带 转动旋钮的位置也可以改变。”

也只有简单的挂件能调整，以便于使用的人的使用。 基于这个概念，用意大利皮革实现最高的触感和易用性。
摄影师萩庭桂太

概念：Absolute Security and Seamless集成

“我想创造一个安全的感觉。

存在hand straps often look stylish as standalone items， featuring great designs and materials. However, once attached to a camera most prove to be too long. This creates a gap between the camera body and the palm， leaving the strap loose around the wrist. Without a snug fit， there is always the lingering worry that the camera might slip off。

I asked myself 我们可以创建一个strap whose function和设计，只信任‘complete’ once it is joined with the camera ? Through extensive trial and error， I arrived at this markably simple form.它的功能by creating a clean loop that is secured to the body via the eyelet, fulfilling its purpose only when in use。

dual-hole design offers versatility： depending on how you thread it, you can achieve smooth movement, create frictional resistance or lock it firmly in a fixed position. Furthermore， by flipping or reversing how it attaches to the eyelet， 你可以just the strap's path from the wrist to the back of the hand。

The beauty of such a minimalist design is that it allows every photographer to customize The fit to their own preference. Based on this概念 我们已经使用了premium Italian leather to achieve the ultimate tactile feel and effortless usability . "

—Keita Haginiwa, Photographer