攝影師Keita Hagiwa手帶

萩庭桂太考虑的是绝对的安心感

“现有的手链 不装在相机上，只是单看的时候设计和材料等很酷，一旦安装在相机机身上，大部分的长度都太长，导致机身和手掌的距离太远，最终在手腕上松动，完全没有合身感，一不小心就会从手腕上掉下来。

当我试错是否有一个安装在相机机身上才能完成背带的功能和设计时，简单地制作圆环，用眼罩固定在身体上就能完成其功能的设计，很简单，但我认为它是这样的设计。

但是，这是迄今为止用金属连接的东西所做不到的。

因此从一开始就需要在钻孔或缝合之前插入双孔，需要委托能够从头开始制作的工匠。 然后做出来的就是这个手链 。

通过表带上开的2个孔的穿法，可以顺畅地移动，也可以因为一定的摩擦阻力而难以移动，也可以不稳定地保持固定位置，还可以通过固定眼罩的方法的上下表里，从手腕到手背的表带的穿法 旋转的位置也可以改变。

也只有简单的挂件才可以调整，方便使用者使用。”

基于这个概念，在姬路鷣使用质量稳定的国产神户牛的原皮，实现了最好的触感和使用方便。

Keita Haginiwa's Vision: Absolute Security and Reassurance

“存在的hand straps经常ten look stylish in terms of design and material when viewed on their own. ” However, once attached to a camera most are far too long. This creates too much distance between the camera body and the palm， leaving the strap loose around the wrist with no sense of fit. I经常ten felt they could slip off wrist if I wasn't careful。

I began searching for a strap whose function and design only truly become complete once it is mounted on the camera. Through a process of trial and error, I arrived at this very simple design： a strap that forms a clean loop and completes its functional form by being secured to the body via the eyelet。

This concept not be achieved by simply tying existing components together or using standard metal connectors. It required a craftsman who could build It from scratch - someone who could punch the holes and integrate the split rings specifically for this purpose before the final stitching. This hand strap is the结果of that bespoke craftsmanship。

如何改变你三个人穿过两个男人，你可以改变你的感觉： smooth movement, moderate friction, or a fixed position that stays put. Furthermore， flipping the strap or changing the attachment direction to the eyelet， you can alter how the strap wraps from the wrist to the back of the hand. This ability for users to customize the fit to their own preference is the hallmark of a truly simple strap."

Based on this concept, we use high quality domestic Kobe cattle hides, tanned in Himeji to achieve the ultimate tactile sensation and实用实用。